Amy Flaherty bares striking resemblance to her mother who died in 2006. In reenactments of original family photos, Amy manipulates the single vantage point of the camera lens through detailed sets to produce imitations of her mother’s pictures. The resulting pictures fade into translucency in which comparable attributes appear familiar and foreign simultaneously. Failure of the reproductions to become more than fractured versions of the originals transforms Amy into a ghost that wears her mother’s clothing.